“In postdramatic theatre, the word is replaced by breath, rhythm, the now of the corporeal presence in flesh and blood. There is an opening and dissemination of the word, so that meaning is not necessarily communicated anymore from A (stage) to B (spectator), but a specifically theatrical, “magic” transference and connection emerges by means of language. Its early theoretician was Artaud.”
Hans-Thies Lehmann
@edlatheatre
Hans-Thies Lehmann
@edlatheatre