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Robert Wilhelm Ekman (1808 – 1873) 🇫🇮 — Väinämöinen playing the Kantele (1866)

Ekman began working on the painting in 1857, but due to financial difficulties et cetera, he didn't finish it until 1866. Its initial reception was poor — it was too Finnish for the Swedes, and Ekman himself too Swedish for the Finns — but the painting is now considered to be his magnum opus. He also made a sketch of the composition.

Väinämöinen is surrounded by a host of Gods and entities. Pellervoinen, the God of vegetation, is seen planting a sapling on the left. Behind him are the God & Goddess of the forest, Tapio & Mielikki. Behind them, accompanied by a bear, is a hiisi, a tricksterlike entity. On the right are Ahti & Vellamo, the God & Goddess of the sea. The girls in the front, accompanied by a swan, are known as Sotkotars (singular: Sotkotar, i.e. 'Scaupess'). Sitting on the rainbow are the airmaids Päivätär & Kuutar, along with Tähdetär ('Starress'), Otavatar (from Otava, the Big Dipper), and a fifth one.

ϟ S O N N E N M E N S C H E N ϟ

"The original inhabitants of this Earth were the White Gods of Thule, Hyperborea. They showed mankind civilization and put their Genes in the blood. They came to earth from other planets, maybe Venus, the Morning Star, in some Ancient Age. They all lived in Thule, in the pure virginal white Polar regions. Walls of Ice protected this world of Masters and Supermen. When the first catastrophe occured on the planet Earth, they went to live in the inside of the Earth. When the continent of Atlantis disappeared, those Masters who received the "Hyperborean Initiation" joined the others inside the Earth. Many more are arriving who have been Initiated."

- Miguel Serrano, The Golden Cord.

"The legitimate government will continue to suffer all the pangs and pressures, political, diplomatic, economic, of a regime confronted by open insurgency which it cannot suppress, while the rebels will only gain prestige and popular appeal by their successful insurgency."

- Robert Taber
(War of the Flea: Chapter III)
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