Episode 82 - R. Carlos Nakai (The Curiosity Hour Podcast by Dan Sterenchuk and Tommy Estlund)
11/19/18 by Dan Sterenchuk and Tommy Estlund
https://soundcloud.com/thecuriosityhourpodcast/s04-e082-r_carlos_nakai Web player:
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http://feeds.soundcloud.com/stream/532614087-thecuriosityhourpodcast-s04-e082-r_carlos_nakai.mp3Episode 82 - R. Carlos Nakai.
Dan Sterenchuk and Tommy Estlund are honored to have as our guest, R. Carlos Nakai. Of Navajo-Ute heritage, R. Carlos Nakai is the world’s premier performer of the Native American flute. He began his musical studies on the trumpet, but a car accident ruined his embouchure. His musical interests took a turn when he was given a traditional cedar flute as a gift and challenged to master it. As an artist, he is an adventurer and risk taker, always giving his musical imagination free rein. He is also an iconoclastic traditionalist who views his cultural heritage not only as a source and inspiration, but also a dynamic continuum of natural change, growth, and adaptation subject to the artist’s expressive needs.
His first album, Changes, was released by Canyon Records in 1983, and since then he has released forty albums with Canyon plus additional albums and guest appearances on other labels. In addition to his educational workshops and residencies, he has appeared as a soloist throughout the United States, Europe, and Japan, and has worked with guitarist/luthier William Eaton, composer James DeMars, pianist Peter Kater and “the late” Paul Horn among many others. The famed American choreographer Martha Graham used Nakai’s second album, Cycles, in her last work Night Chant. R. Carlos contributed music to the major motion pictures New World (New Line) and Geronimo (Columbia).
R. Carlos, while cognizant of the traditional use of the flute as a solo instrument, began finding new settings for it, especially in the genres of jazz and classical. He founded the ethnic jazz ensemble, the R. Carlos Nakai Quartet, to explore the intersection of ethnic and jazz idioms.
He brought the flute into the concert hall, performing with over 30 symphony and chamber orchestras. He was a featured soloist on the Philip Glass composition, Piano Concerto No. 2: After Lewis & Clark, premiered by the Omaha Symphony. He also works with producer and arranger Billy Williams, a two-time Grammy® winner, in composing for and performing the traditional flute in orchestral works of a lighter vein.
In a cross-cultural foray, he performed extensively with the Wind Travelin’ Band, a traditional Japanese ensemble from Kyoto which resulted in an album, Island of Bows. Additional recordings with ethnic artists include In A Distant Place with Tibetan flutist and chanter Nawang Khechog, and Our Beloved Land with famed Hawaiian slack key guitarist and singer Keola Beamer. Recently, he released Voyagers with Philadelphia Orchestra cellist Udi Bar-David which blends Native American melodies with Jewish and Arabic songs.
