Growing up, I knew quite a few liberal-leftist anti-racist types that had this nostalgic reverence for NYC’s subcultures — everything from NYCs hardcore punk scene to its hiphop culture. Even though these art movements were anti-White and anti-Western, they were only possible in an area that was still majority White (or nominally White with the Jewish population) at that time.
Now NYC is a mostly black and brown city, and half of the population is probably fresh off the boat from the third world. NYC is even more Sub-Saharan, more Squatemalan, more Muslim, more Indian, than ever before — it appears the turd-world FOBs are the majority in the city.
It’s already a place that is too turd-world and street-shitter for these liberal-leftist art movements to thrive, like the punk rock scene had. It’s so ironic how even these anti-western art scenes can’t flourish in third-world environments — because nothing works in a third world environment, when there’s too few White people around to even facilitate anything resembling an art scene.
https://t.me/radicaldose/762
Now NYC is a mostly black and brown city, and half of the population is probably fresh off the boat from the third world. NYC is even more Sub-Saharan, more Squatemalan, more Muslim, more Indian, than ever before — it appears the turd-world FOBs are the majority in the city.
It’s already a place that is too turd-world and street-shitter for these liberal-leftist art movements to thrive, like the punk rock scene had. It’s so ironic how even these anti-western art scenes can’t flourish in third-world environments — because nothing works in a third world environment, when there’s too few White people around to even facilitate anything resembling an art scene.
https://t.me/radicaldose/762