Echoes from Elysium


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"We are a still island in the ocean of the world. Beginning and End. Border between Life and Eternity! Euphoria, Fulfillment and Existence."

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"The metaphysical consolation-- with which, as I have already suggested here, all true tragedy leaves us-- that life at the bottom of things, in spite of the passing phenomena, remains indestructibly powerful and pleasurable, this consolation appears in embodied clarity in the chorus of satyrs, of creatures of Nature who live on as it were ineradicably behind all civilization and remains eternally the same in spite of the passing of generations and of the history of peoples."

-Friedrich Nietzsche (10.15.1844- 08.25.1900)

Art: Arnold Böcklin (10.16.1827- 01.16.1901)


"The forests were crippled, the wheat fields vanished; in place of grass there reappeared stone and drifting sand. Men perished and moved on, the cities sank back into the sand, the dust settled over them. Thousands of years later Nordic dreamers dug up the petrified culture from the rubble and ashes. Today, the entire picture of the former paradise stands before our eyes as a spent dream which had once produced Life, Beauty and Strength as long as a superior race ruled. It will live again and it will dream again. But as soon as races of a dreamless kind took over and attempted to realize the dream, reality vanished with the dream."

-Alfred Rosenberg (R.I.P.: 01.12.1893- 10.16.1946 🤍)

Art: Ferdinand Keller, The Tomb of Böcklin 🤍 (1901-1902)






"The more vile and miserable are the men and products of an epoch, the more they will hate and denigrate the ideal achievements of former generations. What these people would like best would be to completely destroy every vestige of the past, in order to do away with that sole standard of comparison which prevents their own daubs from being looked upon as art. Therefore the more lamentable and wretched are the products of each new era, the more it will try to obliterate all the memorials of the past. But any real innovation that is for the benefit of mankind can always face comparison with the best of what has gone before; and frequently it happens that those monuments of the past guarantee the acceptance of those modern productions. There is no fear that modern productions of real worth will look pale and worthless beside the monuments of the past. .What is contributed to the general treasury of human culture often fulfills a part that is necessary in order to keep the memory of old achievements alive, because this memory alone is the standard whereby our own works are properly appreciated. Only those who have nothing of value to give to the world will oppose everything that already exists and would have it destroyed at all costs.

"And this holds good not only for new phenomena in the cultural domain but also in politics. The more inferior new revolutionary movements are, the more they will try to denigrate the old forms. Here again the desire to pawn off their shoddy products as great and original achievements leads them into a blind hatred against everything which belongs to the past and which is superior to their own work...Thus we can readily see why it is that all the new moons in human history have hated the fixed stars. In the field of politics, if Fate should happen temporarily to place the ruling power in the hands of those nonentities they are not only eager to defile and revile the past but at the same time they will use all means to evade criticism of their own acts."

- A.H.




"There are not many persons who know what wonders are opened to them in the stories and visions of their youth; for when as children we listen and dream, we think but half-formed thoughts, and when as men we try to remember, we are dulled and prosaic with the poison of life. But some of us awake in the night with strange phantasms of enchanted hills and gardens, of fountains that sing in the sun, of golden cliffs overhanging murmuring seas, of plains that stretch down to sleeping cities of bronze and stone, and of shadowy companies of heroes that ride caparisoned white horses along the edges of thick forests, and then we know that we have looked back through the ivory gates into that world of wonder which was ours before we were wise and unhappy."
-H.P. Lovecraft, Celephaïs

Art: Nicholas Roerich (1874-1947)


Ferdinand Keller (1842-1922)


Thomas Cole: The Temple of Segesta with the Artist Sketching, c.1842


Władysław T. Benda: The Earth with the Milky Way and Moon, c.1918


"Free for great souls the earth still stands even now. Vacant still are many seats for the lonesome and the twosome, around which there wafts the fragrance of silent seas."

- Friedrich Nietzsche

Art: Arnold Böcklin (16.10.1827- 16.01.1901)





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