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Greetings to everybody! Please read the explanation below carefully because there are still many people who are perplexed by a few of the arguments I shall make. Please don’t make me puzzled any longer; I’ll explain below in depth and in accordance with my understanding so you may fix it if necessary.

𖤝 TYPING STYLE.

I. SENTENCE CASE adalah pengaturan yang menjadikan teks hanya memiliki huruf kapital di awal kalimat. Jadi, dalam setiap kalimat akan diawali oleh huruf kapital, begitu juga dengan nama tempat, orang, bulan, etc yang akan diawali oleh huruf kapital.
CONTOH: Halo, nama saya Haechan pada Haechan cam dengan 37.5% peringkat penonton.

II. UPPERCASE berfungsi mengatur agar semua huruf/ teks menjadi huruf kapital. Jadi, kalau memilih uppercase di wording yang kamu pesan, kamu bakal dapet wording yang isinya huruf kapital semua (tanpa terkecuali).
CONTOH: HALO, NAMA SAYA HAECHAN PADA HAECHAN CAM DENGAN 37.5% PERINGKAT PENOTON.

III. LOWERCASE berfungsi mengatur agar semua huruf/ teks menjadi bukan huruf kapital. Jadi, kalau memilih lowercase di wording yang kamu pesan, kamu bakal dapet wording yang isinya bukan huruf kapital semua (tanpa terkecuali).
CONTOH: halo, nama saya haechan pada haechan cam dengan 37.5% peringkat penonton.

𖤝 POINT OF VIEW.

I. 1ST atau biasa disebut sebagai sudut pandang orang pertama, pov ini menggunakan kata ganti “aku” / “saya” / “me” / “i’m” / “i” dan atau “kami” / “we” atau dengan sederhana kamu adalah tokoh pertama pada wording yang kamu pesan.
CONTOH: Hello everyone! Haechan here, and I get excited whenever I get to eat Kimchi Jjigae.

II. 2ND atau biasa disebut sebagai sudut pandang orang kedua, pov ini menggunakan kata ganti “kamu” dan atau “you” karena sudut pandang ini memposisikan penulis layaknya seorang narator.
CONTOH: You are Haechan, a person who is extremely passionate and pleased whenever you has the opportunity to consume Kimchi Jjigae.

III. 3RD atau biasa disebut sebagai sudut pandang orang ketiga, pov ini menggunakan kata ganti “dia” / “mereka” / “she/her” / “he/him” / dan atau “they/them” karena, sudut pandang orang ketiga adalah salah satu cara penceritaan di mana penulis atau pencerita berada di luar cerita dan menyebutkan tokoh dengan nama-nama mereka atau kata ganti orang ketiga.
CONTOH: He is Haechan, a man who enjoys eating kimchi jjigae a lot and will do it anytime he gets the chance.

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{ 💀 LEAF III, SOON} The opening branch of the compendium is ravishing and idiosyncratic. In indestructible onyx ink that decree reprieve on the surface, the branch’s scintilla, “SOON,” is dictated. Hither, chef d’oeuvre procure prevail dictated that, let’s buoyancy, decree endure through the juncture. Yet the sun decree unequivocally praetorian this abundance considering the poet enunciate how scrumptious and esteem the sun is in this passage. Convey felicity and amorousness that are permanently bonded to those courteous singleton that entreaty encouragement. Considering sole the latent lady in the sphere with elongate, felicitously sinuous onyx hair is adequate to attend, let the sphere fathom what a pulchritudinous concern this chef d’oeuvre has schlepp into their élan vital.
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{ 🦋 LEAF II, LAVISH SAGA} The opening branch of the compendium is ravishing and idiosyncratic. In indestructible onyx ink that decree reprieve on the surface, the branch’s scintilla, “RAPIHIN CHANNEL,” is dictated. Hither, chef d’oeuvre procure prevail dictated that, let’s buoyancy, decree endure through the juncture. Yet the sun decree unequivocally praetorian this abundance considering the poet enunciate how scrumptious and esteem the sun is in this passage. Convey felicity and amorousness that are permanently bonded to those courteous singleton that entreaty encouragement. Considering sole the latent lady in the sphere with elongate, felicitously sinuous onyx hair is adequate to attend, let the sphere fathom what a pulchritudinous concern this chef d’oeuvre has schlepp into their élan vital.
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{ 🖊 LEAF I, EVENTFUL CONDEMN} The opening branch of the compendium is ravishing and idiosyncratic. In indestructible onyx ink that decree reprieve on the surface, the branch’s scintilla, “WORDING,” is dictated. Hither, chef d’oeuvre procure prevail dictated that, let’s buoyancy, decree endure through the juncture. Yet the sun decree unequivocally praetorian this abundance considering the poet enunciate how scrumptious and esteem the sun is in this passage. Convey felicity and amorousness that are permanently bonded to those courteous singleton that entreaty encouragement. Considering sole the latent lady in the sphere with elongate, felicitously sinuous onyx hair is adequate to attend, let the sphere fathom what a pulchritudinous concern this chef d’oeuvre has schlepp into their élan vital.
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